{"id":3472,"date":"2020-10-08T16:19:21","date_gmt":"2020-10-08T14:19:21","guid":{"rendered":"http:\/\/nicanordeelia.com\/?page_id=3472"},"modified":"2026-04-14T10:36:17","modified_gmt":"2026-04-14T08:36:17","slug":"presse","status":"publish","type":"page","link":"https:\/\/nicanordeelia.com\/es\/presse\/","title":{"rendered":"Presse"},"content":{"rendered":"\n<p class=\"has-text-align-center has-text-color has-medium-font-size\" style=\"color:#ccac2d\"><em>\u00abCinq soldats de l&#8217;\u00e9l\u00e9gance\u00bb Culture Cirque<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-text-color has-medium-font-size\" style=\"color:#ccac2d\"><em>\u00abUne belle r\u00e9flexion collective sur l&#8217;utopie et l&#8217;anticonformisme\u00bb Toute la Culture<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-text-color has-medium-font-size\" style=\"color:#ccac2d\"><em>\u00abUn appel physique \u00e0 la libert\u00e9\u00bb Th\u00e9\u00e2tre du Blog<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>El Dorado<\/strong><\/p>\n\n\n\n<p>ResMusica, \u00abL\u00e0 o\u00f9 trop de chor\u00e9graphes s&#8217;enlisent dans des concepts pompeux sans vraiment les approfondir, dans\u00a0<em>El Dorado<\/em><a href=\"https:\/\/www.resmusica.com\/mot-clef\/nicanor-de-elia\/\">, Nicanor de Elia<\/a>\u00a0a su s\u00e9lectionner et aller au bout d&#8217;une s\u00e9rie d&#8217;id\u00e9es simples et coh\u00e9rentes, sans s&#8217;\u00e9parpiller. Le r\u00e9sultat est ainsi bien construit, authentique et sans pr\u00e9tention. Une v\u00e9ritable bouff\u00e9e d&#8217;air frais\u00bb.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.resmusica.com\/2026\/04\/12\/nicanor-de-elia-propose-un-el-dorado-jovial-et-attachant\/\">Lien vers l&#8217;article<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading titre3\">El Dorado<\/h3>\n\n\n\n<p><em>La Revue du spectacle<\/em>, \u00ab <strong>Circa 2025 Corps jongl\u00e9s\u2026 Red\u00e9finir et chor\u00e9graphier l\u2019\u00e9criture gestuelle du jongleur<\/strong> \u00bb, octobre 2025<\/p>\n\n\n\n<p><a href=\"https:\/\/www.larevueduspectacle.fr\/Circa-2025-Corps-jongles-Redefinir-et-choregraphier-l-ecriture-gestuelle-du-jongleur_a4400.html\">Lien vers l&#8217;article<\/a><\/p>\n\n\n\n<div class=\"wp-block-file\"><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h3 class=\"wp-block-heading titre3\">Copyleft<\/h3>\n\n\n\n<p><em>Onda Cero Madrid Norte<\/em>, \u00ab <strong>Copyleft, premio Fet\u00e9n 2022 al mejor espect\u00e1culo de calle, en Tres Cantos<\/strong> \u00bb, ao\u00fbt 2022<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Copyleft, premio Fet\u00e9n 2022 al mejor espect\u00e1culo de calle, en Tres Cantos\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/Ea5syoLn5Hk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-file\"><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>Juggling Magazine<\/em>, \u00ab <strong>Juventud, Manifeste jongl\u00e9<\/strong> \u00bb, juin 2022<\/p>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-e67e0bf1-4e30-4dec-a48b-00771fee97f8\" href=\"https:\/\/nicanordeelia.com\/wp-content\/uploads\/2022\/06\/Juggling-Magazine-Juventud-juin-2022.pdf\">Juggling-Magazine-Juventud-juin-2022<\/a><\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>Le Vif<\/em>, \u00ab <strong>Critique sc\u00e8nes : Club des cinq de la jongle<\/strong> \u00bb, 24 mars 2022<\/p>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-3a0f235f-0f57-4b27-9947-4ab8f2c4e75a\" href=\"http:\/\/nicanordeelia.com\/wp-content\/uploads\/2022\/04\/review-Juventud-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Le Vif &#8211; Juventud<\/a><\/div>\n\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>La Capital<\/em>, \u00ab <strong>Era malabarista de Rosario, se fue a Francia y volvio con el \u00abcirco del futuro\u00bb<\/strong> \u00bb, 27 novembre 2021<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.lacapital.com.ar\/escenario\/era-malabarista-rosario-se-fue-francia-y-volvio-el-circo-del-futuro-n10002106.html?fbclid=IwAR0m0wEk4gdo1mSEP28yT-8qJODsU3qmYICYGN3_qOD4rDMVzbFUWaC_wes\" target=\"_blank\" data-type=\"URL\" data-id=\"https:\/\/www.lacapital.com.ar\/escenario\/era-malabarista-rosario-se-fue-francia-y-volvio-el-circo-del-futuro-n10002106.html?fbclid=IwAR0m0wEk4gdo1mSEP28yT-8qJODsU3qmYICYGN3_qOD4rDMVzbFUWaC_wes\">https:\/\/www.lacapital\/escenari<\/a><a href=\"https:\/\/www.lacapital.com.ar\/escenario\/era-malabarista-rosario-se-fue-francia-y-volvio-el-circo-del-futuro-n10002106.html?fbclid=IwAR0m0wEk4gdo1mSEP28yT-8qJODsU3qmYICYGN3_qOD4rDMVzbFUWaC_wes\" data-type=\"URL\" data-id=\"https:\/\/www.lacapital.com.ar\/escenario\/era-malabarista-rosario-se-fue-francia-y-volvio-el-circo-del-futuro-n10002106.html?fbclid=IwAR0m0wEk4gdo1mSEP28yT-8qJODsU3qmYICYGN3_qOD4rDMVzbFUWaC_wes\" target=\"_blank\" rel=\"noreferrer noopener\">o<\/a><\/p>\n\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>Interview radiophonique<\/em>, 25 novembre 2021<\/p>\n\n\n\n<p><em>La Canci\u00f3n del Pa\u00eds<\/em>, FM 103.3 <strong>Radio Universidad Rosario Argentina<\/strong> <a rel=\"noreferrer noopener\" href=\"http:\/\/www.lacanciondelpais.com.ar\" data-type=\"URL\" data-id=\"www.lacanciondelpais.com.ar\" target=\"_blank\"> www.lacanciondelpais.com.ar<\/a><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/nicanordeelia.com\/wp-content\/uploads\/2022\/01\/Juan-Duarte-y-Nahuel-De-Santo-Juventud-en-Payasadas-2021-2.mp3\"><\/audio><\/figure>\n\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>La Provence<\/em>, \u00ab <strong>Un super num\u00e9ro de jonglage chor\u00e9graphi\u00e9<\/strong> \u00bb, 19 juillet 2021<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.laprovence.com\/article\/critiques-avignon-off\/6430385\/juventud-un-super-numero-de-jonglage-choregraphie.html\" target=\"_blank\">https:\/\/www.laprovence.com\/article\/critiques-avignon-off<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>BClerideaurouge<\/em>, \u00ab <strong>Un spectacle grandiose pour sortir du morose<\/strong> \u00bb, 07 juillet 2021<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.laprovence.com\/article\/critiques-avignon-off\/6430385\/juventud-un-super-numero-de-jonglage-choregraphie.html\" target=\"_blank\">https:\/\/bclerideaurouge.wordpress.com\/2021\/07\/07\/juventud-manifeste-jongle-mise-en-scene-choregraphie-nicanor-de-elia-jongleurs-danseurs-juan-duarte-mateos-lucas-castelo-branco-nahuel-desanto-walid-el-yafi-gonzalo\/<\/a><\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>La Terrasse<\/em>, \u00ab <strong>Gros plan \/ Avignon Off 2021<\/strong> \u00bb, 5 juin 2021<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.journal-laterrasse.fr\/juventud-de-nicanor-de-elia\/\" target=\"_blank\">https:\/\/www.journal-laterrasse.fr\/juventud-de-nicanor-de-elia\/<\/a><\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>Culture cirque<\/em>, \u00ab&nbsp;<strong>L&#8217;\u0153il de la r\u00e9daction<\/strong> \u00bb, 13 avril 2021<br><a href=\"https:\/\/www.facebook.com\/CultureCirque\/posts\/1771064873093646\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.facebook.com\/CultureCirque<\/a><\/p>\n\n\n\n<p><em>\u00ab [\u2026] Juventud, de la compagnie Nicanor de Elia propose une pi\u00e8ce fougueuse et recherch\u00e9e. Cinq artistes, cinq soldats de l\u2019\u00e9l\u00e9gance, qui manient avec originalit\u00e9 quilles, balles et anneaux. Les tableaux sont rythm\u00e9s, et prennent des allures tant\u00f4t jazzy, tant\u00f4t hip hop. Un op\u00e9ra-jongle au r\u00e9sultat remarquable, qui r\u00e9v\u00e8le une belle r\u00e9flexion collective sur l\u2019utopie et l\u2019anticonformisme. Les artistes revendiquent un travail sur la circulation et les d\u00e9placements qu\u2019il faut en effet saluer : on assiste \u00e0 un ensemble fluide, a\u00e9rien et affirm\u00e9. Les personnages occupent l\u2019espace avec beaucoup de talent, et font du plateau un \u00e9l\u00e9ment du spectacle \u00e0 part enti\u00e8re. Notre coup de c\u0153ur est attribu\u00e9 aux tableaux d\u2019anneaux souples, dont le rapport performance circassienne &#8211; chor\u00e9graphies est particuli\u00e8rement excellent. [\u2026]<\/em><\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>Th\u00e9\u00e2tre du blog<\/em>, \u00ab <strong>Juventud, mise en sc\u00e8ne et chor\u00e9graphie de Nicanor de Elia<\/strong> \u00bb, 11 avril 2021<br><a href=\"http:\/\/theatredublog.unblog.fr\/2021\/04\/11\/juventud-mise-en-scene-et-choregraphie-de-nicanor-de-elia\/\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/theatredublog.unblog.fr\/juventud-mise-en-scene-et-choregraphie-de-nicanor-de-elia\/<\/a><\/p>\n\n\n\n<p><em>\u00ab Sous un apparent d\u00e9sordre dans les jeux de sc\u00e8ne, manipulations d\u2019objets et affrontements dans\u00e9s, r\u00e8gne ici une rigueur complexe, r\u00e9gl\u00e9e au millim\u00e8tre sur la cr\u00e9ation sonore de Giovanni di Domenico et les bandes passantes hypnotiques de Guillaume Bautista, projet\u00e9es en fond de sc\u00e8ne et au sol. L\u2019esth\u00e9tique stricte de Nicanor de Elia est fond\u00e9e sur le noir et le blanc. Jonglerie et danse nous entra\u00eenent dans une spirale fascinante et on mesure \u00e0 quel point ces disciplines peuvent se m\u00ealer intimement et avec beaut\u00e9. \u00bb<\/em><\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>Toute la culture<\/em>, \u00ab&nbsp;<strong>Le festival Rencontre des Jonglages fait son huis-clos<\/strong> \u00bb, 13 avril 2021<br><a href=\"https:\/\/toutelaculture.com\/spectacles\/cirque\/festival-rencontre-des-jonglages-unplugged-juventud-periple-2021\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/toutelaculture.com\/spectacles\/cirque\/festival-rencontre-des-jonglages-juventud<\/a><\/p>\n\n\n\n<p><em>\u00ab On est dans un dialogue des corps, qui prend en partie pour m\u00e9diateur l\u2019objet lanc\u00e9 puis rattrap\u00e9, et c\u2019est ce dialogue avant tout qui constitue le fil rouge de la proposition. Sur un motif assez classique, le groupe s&#8217;agr\u00e8ge petit \u00e0 petit : un est sur sc\u00e8ne, et se retrouve deux, qui se retrouvent trois. Et ainsi de suite. A chaque fois, les pr\u00e9sentations doivent \u00eatre faites, le contact pris. Les positions au sein du groupe \u00e0 peine form\u00e9, et les dynamiques interpersonnelles, sont boulevers\u00e9es \u00e0 chaque irruption. Il y a l\u2019individu, il y a le groupe, il y a l\u2019absorption du premier par le second, la recomposition du second en fonction du d\u00e9part ou de l\u2019arriv\u00e9e du premier. L\u2019\u00e9tablissement d\u2019un langage commun, le tissage de liens, sur une sc\u00e8ne o\u00f9 aucune oralit\u00e9 n\u2019a droit de cit\u00e9. \u00bb<\/em><\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Bel Horizon<\/h3>\n\n\n\n<p><em>La terrasse<\/em>, \u00ab&nbsp;<strong>Bel Horizon, conception Le G.Bistaki<\/strong> \u00bb, 3 octobre 2020<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.journal-laterrasse.fr\/hors-serie\/bel-horizon-conception-le-g-bistaki\/\" target=\"_blank\">https:\/\/www.journal-laterrasse.fr\/hors-serie\/bel-horizon-conception-le-g-bistaki\/<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Juventud<\/h3>\n\n\n\n<p><em>Le Vif<\/em>, Bruxelles, <strong>\u00ab Lancer ensemble \u00bb<\/strong>, 12 mars 2020<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.levif.be\/actualite\/magazine\/lancer-ensemble\/article-normal-1262957.html?cookie_check=1600336680\" target=\"_blank\">https:\/\/www.levif.be\/actualite\/magazine\/lancer-ensemble\/article-normal-1262957.html?cookie_check=1600336680<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Copyleft<\/h3>\n\n\n\n<p>Cirq\u2019en capitale, Bruxelles, <strong>\u00ab COPYLEFT par Nicanor de Elia \u00bb<\/strong>, octobre 2018<br><a rel=\"noreferrer noopener\" href=\"https:\/\/cirqencapitale.be\/article\/copyleft-par-nicanor-de-elia\/\" target=\"_blank\">https:\/\/cirqencapitale.be\/article\/copyleft-par-nicanor-de-elia\/<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Garage29<\/h3>\n\n\n\n<p><em>Le soir<\/em>, Bruxelles, <strong>\u00ab Le Garage 29 soigne ses bolides \u00bb<\/strong>, 18 septembre 2013<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.lesoir.be\/art\/320964\/article\/culture\/scenes\/2013-09-18\/garage-29-soigne-ses-bolides\" target=\"_blank\">https:\/\/www.lesoir.be\/art\/320964\/article\/culture\/scenes\/2013-09-18\/garage-29-soigne-ses-bolides<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading titre3\">Cooperatzia<\/h3>\n\n\n\n<p><em>T\u00e9l\u00e9rama<\/em>, Sortir, <strong>\u00ab Cooperatzia, le village \u00bb<\/strong>, 2010<br><a rel=\"noreferrer noopener\" href=\"https:\/\/sortir.telerama.fr\/evenements\/spectacles\/cooperatzia-le-village%2C41140.php\" target=\"_blank\">https:\/\/sortir.telerama.fr\/evenements\/spectacles\/cooperatzia-le-village%2C41140.php<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abCinq soldats de l&#8217;\u00e9l\u00e9gance\u00bb Culture Cirque \u00abUne belle r\u00e9flexion collective sur l&#8217;utopie et l&#8217;anticonformisme\u00bb Toute la Culture \u00abUn appel physique \u00e0 la libert\u00e9\u00bb Th\u00e9\u00e2tre du Blog El Dorado ResMusica, \u00abL\u00e0 o\u00f9 trop de chor\u00e9graphes s&#8217;enlisent dans des concepts pompeux sans vraiment les approfondir, dans\u00a0El Dorado, Nicanor de Elia\u00a0a su s\u00e9lectionner et aller au bout d&#8217;une [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3472","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nicanordeelia.com\/es\/wp-json\/wp\/v2\/pages\/3472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nicanordeelia.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nicanordeelia.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nicanordeelia.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nicanordeelia.com\/es\/wp-json\/wp\/v2\/comments?post=3472"}],"version-history":[{"count":60,"href":"https:\/\/nicanordeelia.com\/es\/wp-json\/wp\/v2\/pages\/3472\/revisions"}],"predecessor-version":[{"id":522037,"href":"https:\/\/nicanordeelia.com\/es\/wp-json\/wp\/v2\/pages\/3472\/revisions\/522037"}],"wp:attachment":[{"href":"https:\/\/nicanordeelia.com\/es\/wp-json\/wp\/v2\/media?parent=3472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}